MANFREDI, Bartolomeo

Italian Baroque Era Painter, 1582-1622 Italian painter. In the 17th century he was known throughout Italy and beyond as Caravaggio's closest follower and his works were highly prized and widely collected. More than simply aping Caravaggio's style, Manfredi reinterpreted his subjects and rendered new ones, drawing upon Caravaggio's naturalism and dramatic use of chiaroscuro. His paintings were often praised by his contemporaries as equal to Caravaggio's and he was subsequently emulated and imitated by other Roman Caravaggisti during the 1610s and 1620s. Yet by the 18th century his works were forgotten or confused with those of Caravaggio himself,


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MANFREDI, Bartolomeo Allegory of the Four Seasons SG oil


Allegory of the Four Seasons SG
Painting ID::  8039
Allegory of the Four Seasons SG
c. 1610 Oil on canvas, 134 x 91,5 cm Dayton Art Institute, Dayton
   
   
     

MANFREDI, Bartolomeo Bacchus and a Drinker d oil


Bacchus and a Drinker d
Painting ID::  8040
Bacchus and a Drinker d
1500-10 Oil on canvas, 132 x 96 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     

MANFREDI, Bartolomeo Cupid Chastised sg oil


Cupid Chastised sg
Painting ID::  8041
Cupid Chastised sg
1605-10 Oil on canvas Art Institute of Chicago, Chicago
1605-10 Oil_on_canvas Art_Institute_of_Chicago,_Chicago
   
   
     

MANFREDI, Bartolomeo The Guard Room sg oil


The Guard Room sg
Painting ID::  8042
The Guard Room sg
Oil on canvas, 169 x 239 cm Gemäldegalerie, Dresden
Oil_on_canvas,_169_x_239_cm Gemäldegalerie,_Dresden
   
   
     

MANFREDI, Bartolomeo Lute Playing Young sg oil


Lute Playing Young sg
Painting ID::  8043
Lute Playing Young sg
Oil on canvas, 105 x 77 cm The Hermitage, St. Petersburg
Oil_on_canvas,_105_x_77_cm The_Hermitage,_St._Petersburg
   
   
     

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     MANFREDI, Bartolomeo
     Italian Baroque Era Painter, 1582-1622 Italian painter. In the 17th century he was known throughout Italy and beyond as Caravaggio's closest follower and his works were highly prized and widely collected. More than simply aping Caravaggio's style, Manfredi reinterpreted his subjects and rendered new ones, drawing upon Caravaggio's naturalism and dramatic use of chiaroscuro. His paintings were often praised by his contemporaries as equal to Caravaggio's and he was subsequently emulated and imitated by other Roman Caravaggisti during the 1610s and 1620s. Yet by the 18th century his works were forgotten or confused with those of Caravaggio himself,

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